Wear and tear
Humidity, heat, shocks, cleaning, load and opening frequency
We compare substrates, surfaces, edges and hardware as one specification. The room, expected wear and available budget decide which combination is credible.
We do not recommend finishing in isolation. The same look may require a different base, edge or hardware depending on the room and frequency of use.
Humidity, heat, shocks, cleaning, load and opening frequency
Colour, texture, grain, sheen and relationship with floors and walls
Ease of cleaning, repair and performance over time
We prioritise what adds value to use and avoid unnecessary extra costs
A manager will review the use, the space and your references to guide you on the appropriate materials
This guide explains the common possibilities. Availability, brand, collection, tone and final specification are confirmed with your project manager
A versatile solution for interiors of wardrobes, kitchens, living rooms and furniture for daily use. They offer a wide variety of colours, woods and textures with easy maintenance
The manager confirms adequate quality, thickness, edge and resistanceAllows smooth surfaces, custom colours and machined fronts. It is common when looking for a continuous, matte or satin composition, with greater design freedom.
The type of lacquer and the preparation are defined according to the piece and its use.It provides grain and natural warmth with greater dimensional stability than a solid piece. It is suitable for living rooms, bedrooms, offices and projects with a more architectural presence.
We select species, cut, tone and varnish togetherIt is used in fronts, structures, mouldings, countertops or details where its resistance and character add value. Its natural performance must be considered from the design
The project manager explains where it makes technical and economic senseHigh resistance surfaces for areas exposed to friction, humidity or frequent cleaning. Available in colours, mineral designs, woods and technical finishes
The specification depends on the room and the support usedStable structural board with characteristic edge, useful in certain technical solutions, visible interiors and furniture with contemporary appearance
Class, thickness and finish are assessed for each applicationThey complement display cases, doors, shelves, dividers and decorative details. They can provide lightness, reflection, transparency or contrast within the same piece of furniture.
Safety, weight, fixing and maintenance are reviewed before defining themHinges, guides, lifts, sliding systems, lighting and interior organisation determine the operation as well as the exterior finish.
The manager sizes them according to load, opening and frequency of useYou don't need to know brands or specifications. With photographs, a reference and an idea of use we can begin a practical material review
We review the stay, approximate measurements, use, visual references and priorities
We filter options by humidity, resistance, cleaning needs, weight, light and budget
We explain relevant differences and propose comparable combinations
Finishes, edges, hardware and details are defined in the final proposal
The exact answer depends on the type of furniture and the conditions of the home.
Yes. It helps us understand the appearance you have in mind. The manager will translate this reference into materials, thicknesses, finishes and systems that can be manufactured and installed in your space.
Not necessarily. Kitchen, bathroom, bedroom and living room have different demands. We can maintain a coordinated aesthetic using different specifications where necessary
Representative samples are compared once the project has a clear technical and visual direction. This is how we compare truly compatible alternatives and not complete catalogues without context
It has an influence, but so do the measurements, the number of modules, the fittings, the machining and the fitting. The manager will tell you where it is worth investing and where there is a more efficient alternative
No two addresses present the same combination of walls, light, access and daily routines. These are the conversations that make a sound material specification specific to the property rather than a variation on a standard product.
Start with room photographs, retained finishes and a realistic account of day-to-day use. We are listening for touch, cleaning, moisture, daylight, expected wear and the level of repairability the project requires. A polished specification can come later; at this stage, a candid description is usually more useful.
Reference images help us read taste, not copy dimensions. We mark what you like about them—perhaps the calm fronts, open display or timber tone—and test only that idea against the room.
Approximate measurements help us judge scale. Production dimensions are different: they are taken at the points that control doors, fillers, worktops, services and the route into the room.
The survey is not a theatre of laser lines. Its value is the record that links a real wall to a specific drawing decision.
Two materials can look similar on a screen and behave very differently in daily use. We discuss that gap plainly, especially where fingerprints, water, heat or frequent opening matter.
Strong daylight around Alicante can make sheen and grain appear more pronounced. A sample is therefore judged at the angle and scale in which it will be seen.
We note the route, surfaces that need protection and any other work still active in the property. That information gives the workshop a realistic assembly plan.
When installation overlaps with renovation work, the sequence matters. Floors, paint, electrical work and furniture each need a clear point at which the next trade can proceed.
We separate essentials from optional details and state what the quotation includes. If a premium finish absorbs money without improving the brief, we will say so.
A written exclusion is as useful as an inclusion. It prevents assumptions about electrical work, decoration, appliances or removal of existing furniture.
After reviewing the information, we tell you what is viable, what is still uncertain and whether a measured visit is the right next step. There is no need to stage the room before sending photographs.
Before production, the confirmed information is brought together. Scattered messages are useful during discussion, but the workshop works from one current set of decisions.
A manager will review the use, the space and your references to guide you on the appropriate materials